梨园情恨

简介：

桐山零（神木隆之介 饰）是将棋界公认的天才，年仅17岁的他便已经成为了一名职业棋手，在棋盘上打败了无数年长与他许多的对手。实际上，零拥有着悲惨的过去，他的家人们很早之前在一场可怕的车祸中全部去世了，之后，零被父亲的好友收养。养父是一名将棋爱好者，为了让养父开心，零没日没夜的研究着棋谱，却不曾想自己不经意的举动造成了这个家庭的分崩离析。　　最终，零决定离开养父家独自生活，在他看来，只要不依靠任何人，不和任何产生关联，便不会伤害任何人。然而，善良又热情的川本三姐妹闯入了零的生活，一直讲零视为是自己的宿敌的二海堂晴信（染谷将太 饰）也令零渐渐走出了孤独。

简介：

　　玛丽莲（克劳蒂亚·艾辛格ClaudiaEisinger饰）写了一封电子邮件寄往来客杂志社，却在阴差阳错之下寄到了一个名叫里昂（亚历山大·费林AlexanderFehling饰）的男人的邮箱里。不知情的玛丽莲三番五次的给里昂发去邮件，一来二去之间，两人就这样相识了。

简介：

本部战争片是对伟大的卫国战争（1941-1945）胜利七十周年的献礼。它围绕着主人公帕维尔•祖博夫的故事展开，他是一名学校老师，作一个老师是他的人生使命。帕维尔所在的村庄被法西斯占领。他相信着基本的人类价值，比如爱情和家庭。然而，一系列事件导致的变化改变了他对生活的认知，使他回到现实。在战争中，敌人逐步显露出其真面目。帕维尔必须做出不易的选择：是生存下去并适应新政权，还是为他的家人，爱情，国土，理想和信念而战。

简介：

　　接连一段时间，在政坛、广播等行业享有盛名的数位公众人物遭到杀害，现场无一例外都留下令人费解的字母与数字组合。经过一番推理，杉下右京（水谷丰 饰）断定这些符号来自国际象棋棋谱。与此同时，其搭档龟山薰（寺肋康文 饰）也追踪到一个名为人民法庭的网站，网上列举了一系列公众人物的名单，并历数他们的罪行，由会员投票是否对这些人判处死刑，而此前那些死者的名字赫然呈现其中。右京通过电子邮件和凶手展开对弈，赫然发现对方下一个目标将是云集了3万名选手、15万名观众的东京国际马拉松大赛。在连番追查的过程中，一起5年前震惊全国的事件以及其背后隐藏的罪恶勾当渐渐浮出水面。绝命棋局，争分夺秒……
　　本片为朝日电视台创立50周年纪念作品，是同名剧集首部电影版。

简介：

很想隱藏過去的海秀，搬到新的城市重頭開始，經營咖啡店，更請來高中生藝珍當兼職，命運令兩人走在一起，她們的友誼更為海秀的生活帶來新火花。然而，兩人內心都埋藏著秘密，不想輕易向人透露。跨性別與女同志的邂逅，譜出淡淡的感動情緣，以不煽情的方式，訴說一個關於接納自己和容納他人的故事。

简介：

该片改编自作家杨英国的原创小说《倒仓》，由柴飞执导，缪俊杰、王晨等新生代演员主演，讲述了在社会流行文化的冲击下，一群年轻人坚守京剧艺术阵地的故事。

简介：

　　因非典的缘故，当年中考难度降低，这让成绩并不突出的女孩耿耿（谭松韵饰）尝到了甜头，从而意外考入了重点学校振华高中。肩负着父母的期望，她昂首阔步走入高中。但是这里毕竟是一个凭实力说话的名牌学府，四周围学霸云集，大神辈出，远离了父母加上遭受旁人异样的目光，让她如坐针毡。因为某个意外，她和同班的学霸余淮（刘昊然饰）相识。余淮虽然学业优秀，但同时还是一个喜欢恶作剧的大男孩，他多次帮助耿耿，让女孩感到了久违的暖意。在此期间，耿耿还与简单（陈梦希饰）、β蒋年年（董晴饰）等成为好朋友。青涩美好的学生时代，留下多少难忘的记忆……

简介：

In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：

三年级小学生朱同，他成绩垫底、调皮捣蛋，每天他的小脑瓜里都会出现一万种幻想。然而有一天，他发现班主任牛老师居然在走廊上追打外星人、草坪中的小花会说话、同学变成了杂草人......无数令人匪夷所思的事件纷至沓来，离奇幻想与学校生活的苦恼交织。朱同能否顺利逃过惩罚，又能否如愿以偿代表学校参加全国广播操比赛？一场现实与奇幻交织的旅程即将展开……

简介：

简介：

　　嘉娜的父母要到非洲「援助小孩」，九歲半的她反而被留在瑞典鄉間托阿姨照顧。整天醉醺醺的阿姨跟男人出遊後再也沒回來。嘉娜被迫獨立照顧自己，還得想辦法瞞過所有鄰居，假裝自己不是一個人在家。這個夏天，嘉娜埋葬了被遺棄的心理創傷，像個大人般「活著」。影片的優美影像和自然採光攝影，成功訴說一頁殘酷而美麗的童年傳說。

简介：

現代東京，三位女性——愛、瑪麗、杏珠——在繁忙與孤獨的⽣活中尋找愛與⾃我。某⽇，她們⼀同前往溫泉旅⾏，在閃爍的燈光與笑聲之間，⼀道神秘的閃光將她們帶入時空裂縫。當她們再次睜眼，眼前已成為⼀個充滿異⾊與絢爛的幻夢世界——「仮想・吉原」。在這座融合江⼾、⼤正與現代意象的花街中，她們分別化身為花魁「三浦太夫」、「薄桜」、「富⼠太夫」，成為欲望、權⼒與愛情交錯的舞台中⼼。